Wish you all a very happy Ganesh Chaturthi. May Bhagwan Ganesh remove all obstacles.
The ten-day Ganesh Festival in Mumbai is the most important festival which is celebrated by the devotees of Lord Ganesh – cutting across religion, language, region, caste, creed, etc. -, the god of wisdom and good fortune, to mark “his birth” during the Chaturthi of Shukla Paksha of Bhadrapada month. This year, the Ganesh Chaturthi in Mumbai will be celebrated today 19 September. This 10-day mega festival will end with the Visarjan – immersion - on the tenth day, Anant Chaturdashi, Friday, September 28. Ganesh is known by several names and his birth on this day is also known as Vinayaka Chaturthi and is celebrated with much enthusiasm and religious fervour across Maharashtra, Andhra Pradesh, Karnataka, Madhya Pradesh, Goa, and Kerala, among other states.
The festival's origins can be traced back to the Maratha Empire in the 17th century, when the great Maratha King Chhatrapati Shivaji Maharaj, a revered figure across India more particularly in the state of Maharashtra, initiated public Ganesh Chaturthi celebrations to promote unity and nationalism among his subjects. The festival took on a more organized and public character in the 19th century during the British colonial era.
This year’s Ganesh Festival has a special significance since it happens to mark the 350th anniversary of the coronation of Chhatrapati Shivaji Maharaj, who is known for his exemplary valour. Incidentally, ‘Wagh Nakh’ - an iron weapon shaped like tiger claws - a legendary weapon which was used by Chhatrapati Shivaji Maharaj for killing the Bijapur Sultanate’s General, Afghan Khan, in 1659 was in the news all over Maharashtra. This weapon which was in the possession of Victoria and Albert Museum, London will return to India in November this year.
To mark this special occasion, the Lalbaugcha Raja, Ganesh Pandal, one of the most famous Ganesh Pandals, has created a special setting where the lord Ganesha will be seen seated on a specially designed throne, which resembles the decorated throne of Chhatrapati Shivaji Maharaj at the Raigarh fort. The design of the Ganesh Pandal with the Raigarh Fort in the background at the Lalbaugcha Raja Pandal was created by stage designer late Nitin Desai, who unfortunately passed away recently. Nitin Desai has been associated with the design of the Lalbaugcha Raja pandal since 2008. Two other Pandals – Mumbaicha Raja and Andhericha Raja – are also using the theme of 350 years of the coronation of Shivaji Maharaj and are decorating their pandal with the Raigad Fort as their main theme.
The Ganesh Festival has a rich history and holds significant importance not only as a religious celebration but also for its extraordinary role in the Indian freedom struggle. The Sarvajanik Ganesh festivals have played their role in the freedom movement by uniting all sections of the Hindu society to gather under one platform as devotees of Lord Ganesh and to seek his blessings for a free India. The Genesis for the celebration of the Ganesh Festival in public goes back to the nineteenth century – 1893 to be precise.
The first battle of Indian independence fought in 1857 - dubbed the Sepoy Mutiny by the British - had given an impetus for the freedom movement in India. After a communal flare-up between the Hindus and Muslims in 1870 and the fear that it could adversely affect their governance, the British Government, in the year 1892, imposed a ban on any gathering of native Indians, more than 20 in number. This made it difficult for the nationalist leaders and reformers to create awareness and awakening of public for
freedom and for creating socio-political awareness among the masses. The ban, however, allowed only public gatherings in the form of Namaj or Muharram processions by the Muslim community, who are known for offering their prayers in public. The British were clever not to hurt the religious sentiments of the Muslims and in a way also create a division between Hindus and Muslims. They were at their worst when it came to dividing the Indians on religious lines, the deep fissures which they created between the two communities- Hindus and Muslims - in undivided India, ultimately led to the bloody partition in which millions were displaced and hundreds of thousands of people were killed and that bloody divide continues even today aided and abetted by vested interest people.
Realising how adversely the 1892 ban was impacting the public gathering and how impartial the ban was towards the Hindus, Bal Gangadhar Tilak conceived an innovative idea to bring Lord Ganesh out of individual homes and onto the public space. Moreover, Tilak needed a platform where he could bring together all Hindus, who were divided on caste lines - this division was aided, abetted and encouraged by the British who believed in the policy of divide and rule.
Tilak was aware that Lord Ganesh was a God of the masses in Pune and Maharashtra and that Lord Ganesh was worshipped by all sections of the Hindu community. The city of Pune, from where the movement for the Sarvajanik Ganesh festival started, was ruled by the Peshwas who served as the Prime Ministers to the Maratha kings. Peshwas worshipped Ganesh as their kul devta - God of the family. Therefore, it is no wonder that Poona is surrounded by the Eight Temples of Ganesh - Astha Vinayak. Incidentally even today the Ashtavinayak Yatra or pilgrimage covers the eight ancient holy temples of Ganesh, which are situated around Pune. Each of these temple has its own individual legend and history that is distinct from the other.
The history of the annual worshipping of Ganesh - by consecrating the statue of lord Ganesh and offering Pooja in individual houses - dates back to as early as 16 Century in Maharashtra. However, in early days the Ganesh Festival was mostly observed in the aristocratic individual households of the Peshwas - the Prime Ministers in the Maratha regime, who were also responsible for making Ganesh the God of the masses. In 1892, the year when the British imposed a ban on public gatherings, Bal Gangadhar Tilak wanted to defy this order but lawfully. He knew how intricately Lord Ganesh was connected with the people of the region. Taking advantage of the British allowing the gathering of Muslims for their prayers, Tilak conceived of an idea to bring Lord Ganesh out of the individual royal households and onto the public space to channelize, unite, and ignite a divided Hindu society for a larger national sentiment against the oppressive British rule.
Incidentally, this movement also helped lord Ganesh to become Lord Ganapati, the God of the masses. Bal Gangadhar Tilak had commissioned two newspapers, Kesari, in Marathi and Mahratta in English, which were published from Kesari Wada, Pune. Tilak used the loophole in the 1892 ban imposed by the British, which exempted the Muslims from their Friday prayers, to appeal to his readers to start the Sarvajanik Ganesh Festival. He was sure that this being a religious festival the British would be afraid to ban it. More so since the British had permitted the Friday prayers for the Muslims. Tilak used his Kesari Marathi paper to drive home this message among the Hindu community and he appealed to the people to organise community Ganesh Festival.
This was a well-thought-out strategy. Tilak knew how religious the Indian society was. He was therefore sure that the British, who were successfully managing to crush the freedom movement - particularly gathering of large number of people on the streets with that inhuman and barbaric force that is associated with the colonial rule in India - would not succeed in disrupting a religious gathering of people. He knew that the call for the Sarvajanik Ganesh Festival would serve two purposes, first, it would unite the divided Hindu community under a single platform and second, the platform could be used to strengthen the freedom movement by creating a sense of cultural unity among the people. The Ganesh festival provided the much-needed impetus for the freedom struggle and ever since the Ganesh Festival has come on to the public space in Mumbai and Maharashtra and has also spread across different cities and towns in India. The Ganesh Festival, particularly in Mumbai, connects people of all faiths and is considered more of a cultural worship space. One can witness this across different sections of society in Mumbai, which I have been privy to for several years.
The first Public Ganesh Mandal - Keshavji Naik Chawl Sarvajanik Ganeshotsav Mandal at Girgaum - in Bombay, as it was known then, was commissioned in 1893, and ever since the Ganeshotsav Mandal in Girgaum has been celebrating this auspicious Ganesh festival in the same traditional way each year. The statues of Lord Ganesh, the elephant god - there are several mythological stories associated with the birth of Ganesha, the son of Bhagwan Shiva and Goddess Parvati and his appearance - come in varying sizes and in different shapes and styles, which depend on where the lord is commissioned for worship. The Girgaum Ganesh pandal does not use loudspeakers, expensive lights, or any of the modern-day style pooja traditions, which are observed in most of the Ganesh Pooja pandals across Mumbai and other cities in the country. The Keshavji Naik Chawl Sarvajanik Ganeshotsav Mandal in Girgaum has continued the simplistic tradition of the Ganesh Pooja tradition for over a century now. However, there are other public Ganesh Pandals, across the city including the famous Lalbaug ka Raja and so also in various other cities in India - Pune, Bengaluru, Hyderabad, etc.- which celebrate the Ganesh Pooja and the festival with modern-day fanfare with DJs and lights, sound and crackers and what have you.
Post-independence, the festival has undergone a change and during these 10 days of celebration, the economic activity gets accentuated leading to increased employment, income, and production of a variety of goods and services. In that sense, the Ganesh Utsav has become a ‘cultural product’ of the city, which has great economic and market value. Today, the Sarvajanik Ganesh Utsav is the most celebrated festivals of Mumbai. One of the primary reason for the success of the auspicious Ganesh Festival in Mumbai is the Mumbaikars - the rich and mighty, the powerful and powerless, the poor and the insignificant, the lettered and unlettered, sheltered and unsheltered, the males, females and the transgender, the believers and non-believers, Hindus, Muslims, Parsis, Sikhs, Christians, Jains, Buddhists, the religious and non-religious, young, middle-aged, old and the very old. That undying spirit of unity in diversity in India is exemplified during this festival in Mumbai.
The economic impact of the Ganesh Festival is also seen in the opportunities for employment and income generation that this festival offers for the Mumbaikars around the ten days of the festival. This festival creates demand for the music industry - in terms of the composition and production of devotional music albums. It creates market opportunities for Gold, silver, and gems & jewelry - both for the purpose of offerings to Lord Ganesh as well as for personal use. The flower and decoration markets will experience a much larger turnover during these ten days. The sales from the food industry – primarily sweets -will increase many more times than regular. The city enjoys a higher number of offers for sale and discounts from the real estate sector and financial sector.
Whether a sombre pooja or an ostentatious collective celebration, one thing remains central to the Ganesh Festival, which every Mumbaikar and Maharashtrian celebrates - the festival is celebrated with Shradha and Bhakti. This in essence is the very spirit of India - the socio, cultural, religious and spiritual land that is home to most religions of the world. The administration and all other stakeholders, including the public, who ensure that this extraordinary 10-day Ganesh Festival passes off peacefully with the immersions of the Ganesh murtis and the festival becomes a grand success time after time and festival after festival, must be saluted for their efforts to make this grand festival successful.
The Ganesh Festival has a special significance for our family. It was on the Ganesh Chaturthi day in 1958 that my elder brother Dr Sharanabasava was born and ever since our family has been celebrating the Ganesh Festival bringing home Lord Ganesh and offering Pooja to the God.
May Ganapati Bappa bless us all and may he guide this nation to ever-increasing heights with peace and prosperity and may the people living at the bottom of the pyramid and all other disadvantaged sections of the society be blessed to lead a happy life, devoid of obstacles.
Ganapati Bappa Morya.
