The erstwhile legendary Watson Hotel (currently
the Esplanade Mansion), an architectural landmark - one among the Victorian
Gothic and Art Deco Ensembles , located in the precincts of the Kalaghoda
premises in Mumbai that also includes the NGMA, was very recently added to the
Global list of heritage sites by the UNESCO World Heritage committee - came
face to face with its worst fears, when the fourth-floor balcony of the
building came crumbling down on Sunday, crushing the kali peeli taxi parked
below. Miraculously the loss was limited, since the waiting to happen accident
occurred on a Sunday. Will this accident pave way for the restoration and
revival of this historic heritage structure or it will be the beginning of the
end of this structure, will be known in the years to come?
The Watson Hotel, currently in its Esplanade
Mansion avatar, was named after its proud Swish owner, Mr. John Watson, who
conceived the establishment of the hotel during the 1860s. The hotel was
constructed using the cast iron frame, which was designed and fabricated in
England and transported to India and assembled at its current site location in
Bombay to establish the historic Watson Hotel. The hotel had 131 rooms when it
opened its doors to its ‘European Only’ clientele in February 1871. The Watson
Hotel can be described as the first 5-star hotel of Bombay (Mumbai), which was
patronised by the elite European clients during the early years of its
establishment. It went on to become one of the important historic colonial
constructs that came to be known for the best of interiors that provided a
world-class ambiance to its patrons. The Watson Hotel attracted some of the
most prominent and illustrious western visitors that included among others Mark
Twain, Rudyard Kipling and Richard F Burton whose translated works on Kama
Sutra became legendary. Mark Twain eloquently talks about the scene at the
Watson Hotel, in a chapter in his book “Following the Equator” and describes
about the interior opulence at the lobbies and halls of the hotel and how princely
the guests at the hotel were treated by the native servants who manned most
parts of the Hotel.
The name and fame of Watson Hotel reached far and
wide and in the process became the first venue in India, to screen the Lumiere
Brothers wonder invention “Cinematographe”, the moving pictures, on the 7th of
July 1896, to an audience of wealthy Europeans who paid a rupee each to watch a
show that had been billed as “the Marvel of the century”. This very year was a
disastrous year for India, which witnessed the worst famine that killed
millions of people. The city of Bombay was also hit by the bubonic plague
epidemic in September, leading to the death of thousands of people. However,
for the Watson Hotel the year turned out to be a blessing in disguise and most
of its rooms remained fully occupied with the cool confines of the Watson Hotel
making things safer and much better for the European clients.
Bollywood, which drives the Indian Cinema and
with Cricket weaves a common bond for the entire country owes its debt to the
Watson Hotel where the Lumiere Brothers screened their first moving images
cinema. This remarkable piece of film history in India has been documented in
the National Museum of Indian Cinema (NMIC), a project of the Film’s Division
of the Ministry of I&B, in Mumbai. The NCSM, my parent body, was tasked to
curate and develop this cinema museum on turnkey basis and in one of the
exhibits in the “Cinema Across India” section we have used a projection mapping
technique to present the debut of the first ever film screening in India that
happened at the historic Watson Hotel. The Museum Advisory Committee under the
chairmanship of Shyam Benegal and other illustrious members that include among
others Adoor Gopalkrishna, were the guiding force in the development of the
Cinema Museum.
The genesis for the initial success of the
Watson’s Hotel was due to the economic prosperity of the city, which goes back
to the mid-19th century that witnessed a booming cotton trade in Mumbai. More
and more traders from Europe started visiting the city and the fear of
mosquitoes, tropical diseases and the lack of good hotels that matched the
safety, style and tenor of the hotels in Europe helped the Watson Hotel in
achieving a roaring business. The Hotel continued to practise its racial
discrimination disallowing native Indians and making it a Europeans only Hotel.
The success however was short-lived. The hotel’s
decline was gradual, but stark. It started with the death of its founder, J H
Watson, which was followed by the subsequent sale of the hotel. The major
cause, however, for the Watson Hotels fading away, was the stiff competition
from the Taj Mahal Hotel that was set up by the legendary businessman Jamset Ji
Tata in the year 1903. The historic Taj Mahal, Hotel, was opened with 400 rooms
with major attractions like electric lifts, lights, bars, smoking rooms and a
hotel orchestra. The Watson Hotel was formally closed down in the 1960s. The
popular myth among most Mumbaikars is that the legendary Jamset Tata was denied
entry to the Watson Hotel, which practiced a racial discrimination policy and
restricted the hotel only to the Europeans. As a result, the Mumbaikars say,
Jamset Ji built the historic Taj Mahal Hotel, which stands tall even today and
is considered as the best of Hotels not just in India but globally, that was
responsible for the ultimate closure of the Watson Hotel in the 1960s.
The Watson Hotel, with a history of almost 150
years, has now turned into a labyrinth of mostly lawyers offices (courtesy the
buildings proximity to the High Court) and other small office space. Today, all
that is left of Watson’s heydays is its magnificent iron pillars and the famed
wooden staircase. Everything else has been broken up into small rooms, which
have been rented out to tailors, photocopy shops and lawyers. The Esplanade
Mansion, the name by which the Watson Hotel is now known, a grade II Heritage
building, is perhaps the only remaining structure in India with a framework
built entirely of cast iron.
If this building continues in its current status,
with no proactive measures to restore this magnificent piece of heritage
structure, the day may perhaps not be very far when this heritage building is
gone once and for all.
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